83 bars of 4/4 at 120 BPM, about 3:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 53-54, 61-62 and 69-70, and 1 more place -- 9.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 13 times: bars 6, 14, 18, 23, 53, 55 and 7 more.
4 more fills are written out on the fills page.
100 bars across 12 sections: 45 keep time, 13 are fills, 9 are stops and 27 are silent. The longest unbroken stretch of time is bars 38-50.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
83 bars, about 3:02 at the written tempo. The course breaks it into 41 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 6, 14, 18, 23, 53, 55 and 7 more.