133 bars of 4/4 at 135 BPM, about 3:55 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 13-14, 17-18 and 21-23, and 6 more places -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 37 times: bars 4, 8, 9, 10, 11, 12 and 31 more.
15 more fills are written out on the fills page.
133 bars across 16 sections: 74 keep time, 37 are fills and 6 are silent. The longest unbroken stretch of time is bars 21-34.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
133 bars, about 3:55 at the written tempo. The course breaks it into 56 exercises over 17 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 37 times: bars 4, 8, 9, 10, 11, 12 and 31 more.