117 bars of 4/4 at 120 BPM, about 3:54 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 7-19 and 29-31, and 5 more places -- 34.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 24 times: bars 20, 22, 24, 26, 28, 48 and 18 more.
9 more fills are written out on the fills page.
117 bars across 14 sections: 78 keep time, 24 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 30-47.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
117 bars, about 3:54 at the written tempo. The course breaks it into 45 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 24 times: bars 20, 22, 24, 26, 28, 48 and 18 more.