111 bars of 4/4 at 127 BPM, about 3:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-21, 23-25 and 39-41, and 1 more place -- 11.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 24 times: bars 2, 4, 6, 7, 14, 18 and 18 more.
10 more fills are written out on the fills page.
111 bars across 20 sections: 49 keep time, 24 are fills, 16 are stops and 5 are silent. The longest unbroken stretch of time is bars 20-25.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
111 bars, about 3:29 at the written tempo. The course breaks it into 48 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 24 times: bars 2, 4, 6, 7, 14, 18 and 18 more.