160 bars of 4/4 at 126 BPM, about 5:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
70 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 1-4, hi-hat through bars 5-23, toms through bars 24-25, hi-hat through bars 26-30, toms through bars 31-32 and snare through bars 33-37, and 12 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 6, 10-11 and 14-15, and 4 more places -- 7.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 11
1e+a2e+a3e+a4e+a5e+a6e+a 1e+a2e+a3e+a4e+a5e+a6e+a
CC |------x-----------x--x--|x--x--x-----------x---x-|
HH |o-o-o---o-o-o-o-o-------|--------o-o-o-o-o---o---|
SD |------x-----------x-----|------x----------x---x--|
BD |x--x--------x--x-----x--|x--x--------x--x--------|9 fills to learn, played 52 times: bars 1, 2, 3, 4, 5, 6 and 46 more.
It cuts the song into 53 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
160 bars, about 5:41 at the written tempo. The course breaks it into 53 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 52 times: bars 1, 2, 3, 4, 5, 6 and 46 more.