160 bars of 4/4 at 126 BPM, about 5:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 6, 10-11 and 14-15, and 4 more places -- 7.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 52 times: bars 1, 2, 3, 4, 5, 6 and 46 more.
8 more fills are written out on the fills page.
160 bars across 11 sections: 76 keep time, 52 are fills and 19 are silent. The longest unbroken stretch of time is bars 81-92.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
160 bars, about 5:41 at the written tempo. The course breaks it into 53 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 52 times: bars 1, 2, 3, 4, 5, 6 and 46 more.