384 bars of 4/4 at 125 BPM, about 12:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 350-377 and 382-383 -- 8.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 25 times: bars 148, 153, 166, 167, 168, 169 and 19 more.
6 more fills are written out on the fills page.
384 bars across 45 sections: 293 keep time, 26 are fills, 9 are stops and 12 are silent. The longest unbroken stretch of time is bars 351-377.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
384 bars, about 12:17 at the written tempo. The course breaks it into 140 exercises over 41 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 25 times: bars 148, 153, 166, 167, 168, 169 and 19 more.