240 bars of 4/4 at 120 BPM, about 8:00 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-7, 9-11 and 13-15, and 25 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 21 times: bars 48, 64, 68, 72, 80, 82 and 15 more.
6 more fills are written out on the fills page.
240 bars across 24 sections: 145 keep time, 21 are fills, 17 are stops and 36 are silent. The longest unbroken stretch of time is bars 115-129.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
240 bars, about 8:00 at the written tempo. The course breaks it into 46 exercises over 17 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 21 times: bars 48, 64, 68, 72, 80, 82 and 15 more.