425 bars of 3/4 -- not four -- at 113 BPM, 11:17 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21, 45-47 and 86-87, and 12 more places -- 7.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
37 fills to learn, played 124 times: bars 5, 6, 32, 36, 37, 38 and 118 more.
33 more fills are written out on the fills page.
425 bars across 32 sections: 151 keep time, 124 are fills and 110 are stops. The longest unbroken stretch of time is bars 353-367.
113 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 4 out of 100; the rest of the number is everything around it.
425 bars, about 11:17 at the written tempo. The course breaks it into 137 exercises over 35 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
37 fills to learn, played 124 times: bars 5, 6, 32, 36, 37, 38 and 118 more.