84 bars of 3/4 -- not four -- at 138 BPM, 1:50 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 28-30, 32-34 and 44-46, and 1 more place -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 26 times: bars 4, 8, 12, 16, 17, 18 and 20 more.
4 more fills are written out on the fills page.
84 bars across 11 sections: 38 keep time, 26 are fills and 7 are stops. The longest unbroken stretch of time is bars 29-34.
138 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
84 bars, about 1:50 at the written tempo. The course breaks it into 31 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 26 times: bars 4, 8, 12, 16, 17, 18 and 20 more.