112 bars of 4/4 at 117 BPM, about 3:50 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-7, 10-11 and 14-15, and 15 more places -- 32.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 15 times: bars 5, 17, 24, 25, 29, 37 and 9 more.
4 more fills are written out on the fills page.
112 bars across 8 sections: 88 keep time, 15 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 56-69.
117 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
112 bars, about 3:50 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 5, 17, 24, 25, 29, 37 and 9 more.