31 bars of 4/4 at 120 BPM, about 1:01 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 22-24 -- 29% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 8 times: bars 7, 8, 9, 13, 17, 21 and 2 more.
2 more fills are written out on the fills page.
31 bars across 5 sections: 18 keep time, 8 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-6.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 62 out of 100; the rest of the number is everything around it.
31 bars, about 1:01 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 7, 8, 9, 13, 17, 21 and 2 more.