140 bars of 3/4 -- not four -- at 134 BPM, 3:20 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 13-14, 18 and 20, and 9 more places -- 14.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 94 times: bars 1, 2, 3, 4, 14, 15 and 88 more.
2 more fills are written out on the fills page.
161 bars across 5 sections: 32 keep time, 94 are fills, 1 is a stop and 33 are silent. The longest unbroken stretch of time is bars 5-13.
134 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 78 out of 100; the rest of the number is everything around it.
140 bars, about 3:20 at the written tempo. The course breaks it into 14 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 94 times: bars 1, 2, 3, 4, 14, 15 and 88 more.