188 bars of 4/4 at 135 BPM, about 5:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 50-52, 54 and 56, and 13 more places -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 22 times: bars 1, 16, 17, 25, 33, 37 and 16 more.
10 more fills are written out on the fills page.
201 bars across 22 sections: 71 keep time, 22 are fills, 89 are stops and 4 are silent. The longest unbroken stretch of time is bars 99-105.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
188 bars, about 5:15 at the written tempo. The course breaks it into 56 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 22 times: bars 1, 16, 17, 25, 33, 37 and 16 more.