225 bars of 4/4 at 120 BPM, about 7:30 of playing, on crash, ride, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 33, 155 and 157, and 5 more places -- 8.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 55 times: bars 18, 19, 22, 23, 26, 30 and 49 more.
5 more fills are written out on the fills page.
225 bars across 18 sections: 92 keep time, 56 are fills, 29 are stops and 33 are silent. The longest unbroken stretch of time is bars 185-201.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 13 out of 100; the rest of the number is everything around it.
225 bars, about 7:30 at the written tempo. The course breaks it into 58 exercises over 19 sittings, about 24 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
9 fills to learn, played 55 times: bars 18, 19, 22, 23, 26, 30 and 49 more.