157 bars of 4/4 at 150 BPM, about 4:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-9, snare through bars 10-20, hi-hat through bars 21-34, snare through bars 35-50, ride through bars 51-59 and hi-hat through bars 60-66, and 10 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 51-52, 55-57 and 83-84, and 7 more places -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
51 52
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x-----------x---|x---------------|
RD |--x-x-x-x-x---x-|--x-x-x-x-x-x-x-|
SD |--------x-------|--------x-------|
BD |x-----------x---|x-----x-------x-|27 fills to learn, played 51 times: bars 1, 2, 10, 14, 18, 19 and 45 more.
It cuts the song into 64 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
157 bars, about 4:08 at the written tempo. The course breaks it into 64 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 51 times: bars 1, 2, 10, 14, 18, 19 and 45 more.