157 bars of 4/4 at 150 BPM, about 4:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 51-52, 55-57 and 83-84, and 7 more places -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 fills to learn, played 51 times: bars 1, 2, 10, 14, 18, 19 and 45 more.
23 more fills are written out on the fills page.
157 bars across 18 sections: 72 keep time, 51 are fills, 12 are stops and 3 are silent. The longest unbroken stretch of time is bars 105-113.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
157 bars, about 4:08 at the written tempo. The course breaks it into 64 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 51 times: bars 1, 2, 10, 14, 18, 19 and 45 more.