125 bars of 4/4 at 128 BPM, about 3:54 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-12, 30-32 and 34-36, and 8 more places -- 31.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 8 times: bars 37, 53, 55, 65, 69, 113 and 2 more.
125 bars across 14 sections: 97 keep time, 8 are fills, 1 is a stop and 6 are silent. The longest unbroken stretch of time is bars 76-89.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
125 bars, about 3:54 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 37, 53, 55, 65, 69, 113 and 2 more.