134 bars of 4/4 at 141 BPM, about 3:55 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 25-30, 49-54 and 59, and 9 more places -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 10 times: bars 8, 24, 48, 55, 56, 71 and 4 more.
1 more fill is written out on the fills page.
134 bars across 12 sections: 97 keep time, 10 are fills, 1 is a stop and 15 are silent. The longest unbroken stretch of time is bars 9-22.
141 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
134 bars, about 3:55 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 29 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 8, 24, 48, 55, 56, 71 and 4 more.