124 bars, 6:59, at 71 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot and nothing else.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-42, hi-hat through bars 43-51, ride through bars 52-59, hi-hat through bars 60-69, toms through bars 70-77 and hi-hat through bars 78-110, and 2 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 79 and 99-110 -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
99 100
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|
SD |--X--X-gX--X-gXg|----Xg------Xg--|
BD |x--x--x--x--x---|x-x----xx-x----x|11 fills to learn, played 24 times: bars 42, 57, 58, 59, 66, 67 and 18 more.
It cuts the song into 42 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
71 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
124 bars, about 6:59 at the written tempo. The course breaks it into 42 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 24 times: bars 42, 57, 58, 59, 66, 67 and 18 more.