349 bars of 4/4 at 120 BPM, about 11:37 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7-11, 13-17 and 23, and 30 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
23 fills to learn, played 76 times: bars 4, 5, 6, 28, 35, 47 and 70 more.
19 more fills are written out on the fills page.
366 bars across 30 sections: 214 keep time, 77 are fills, 18 are stops and 30 are silent. The longest unbroken stretch of time is bars 7-17.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
349 bars, about 11:37 at the written tempo. The course breaks it into 72 exercises over 20 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 76 times: bars 4, 5, 6, 28, 35, 47 and 70 more.