349 bars of 4/4 at 120 BPM, about 11:37 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-3, toms through bars 4-6, hi-hat through bars 7-91, kick and crashes through bars 92-94, toms through bars 95-96 and hi-hat through bars 97-146, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 7-11, 13-17 and 23, and 30 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--x---x---x---x-|
BD |x---x---x---x---|23 fills to learn, played 76 times: bars 4, 5, 6, 28, 35, 47 and 70 more.
It cuts the song into 72 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
349 bars, about 11:37 at the written tempo. The course breaks it into 72 exercises over 20 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 76 times: bars 4, 5, 6, 28, 35, 47 and 70 more.