142 bars of 4/4 at 140 BPM, about 4:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3, 5 and 7, and 23 more places -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 9 times: bars 33, 78, 88, 92, 110, 118 and 3 more.
142 bars across 9 sections: 116 keep time, 9 are fills and 5 are stops. The longest unbroken stretch of time is bars 2-32.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
142 bars, about 4:03 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 33, 78, 88, 92, 110, 118 and 3 more.