141 bars of 4/4 at 120 BPM, about 4:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 29 more places -- 24.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 32 times: bars 5, 9, 13, 22, 23, 24 and 26 more.
11 more fills are written out on the fills page.
141 bars across 19 sections: 87 keep time, 32 are fills and 8 are silent. The longest unbroken stretch of time is bars 67-73.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
141 bars, about 4:42 at the written tempo. The course breaks it into 55 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 32 times: bars 5, 9, 13, 22, 23, 24 and 26 more.