103 bars of 6/4 -- not four -- at 135 BPM, 4:30 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 18-20, 26 and 30-32 -- 10.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 41 times: bars 1, 2, 3, 4, 10, 11 and 35 more.
4 more fills are written out on the fills page.
103 bars across 9 sections: 21 keep time, 41 are fills and 38 are silent. The longest unbroken stretch of time is bars 54-60.
135 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 35 out of 100; the rest of the number is everything around it.
103 bars, about 4:30 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 41 times: bars 1, 2, 3, 4, 10, 11 and 35 more.