271 bars, 16:22, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
ride through bars 2-6, hi-hat through bars 7-12, ride through bars 13-17, hi-hat through bars 18-30, ride through bars 31-36 and hi-hat through bars 37-43, and 20 more changes after that.
The beat the song is built on is one bar, played through bars 150, 152 and 154, and 18 more places -- 8.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
152
1...........2...........3.....
RD |x-----x-----x-----x-----x-----|
SD |------x-----------------x-----|
BD |---x-----------x-----x--------|18 fills to learn, played 41 times: bars 33, 34, 43, 64, 67, 68 and 35 more.
It cuts the song into 88 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
271 bars, about 16:22 at the written tempo. The course breaks it into 88 exercises over 24 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 41 times: bars 33, 34, 43, 64, 67, 68 and 35 more.