271 bars, 16:22, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 150, 152 and 154, and 18 more places -- 8.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 41 times: bars 33, 34, 43, 64, 67, 68 and 35 more.
15 more fills are written out on the fills page.
271 bars across 28 sections: 159 keep time, 41 are fills, 11 are stops and 31 are silent. The longest unbroken stretch of time is bars 150-164.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
271 bars, about 16:22 at the written tempo. The course breaks it into 88 exercises over 24 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 41 times: bars 33, 34, 43, 64, 67, 68 and 35 more.