102 bars of 8/4 -- not four -- at 140 BPM, 5:45 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10, 12-13 and 22-23, and 4 more places -- 28.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 18 times: bars 13, 14, 15, 16, 17, 23 and 12 more.
102 bars across 8 sections: 17 keep time, 18 are fills and 60 are silent.
140 BPM, in 8/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 47 out of 100; the rest of the number is everything around it.
102 bars, about 5:45 at the written tempo. The course breaks it into 19 exercises over 6 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 18 times: bars 13, 14, 15, 16, 17, 23 and 12 more.