52 bars of 4/4 at 110 BPM, about 1:53 of playing, on crash, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 3 and 6, and 10 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 9 times: bars 2, 16, 33, 36, 38, 40 and 3 more.
1 more fill is written out on the fills page.
52 bars across 6 sections: 30 keep time, 9 are fills and 5 are stops. The longest unbroken stretch of time is bars 22-28.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
52 bars, about 1:53 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 26 minutes each.
crash, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 2, 16, 33, 36, 38, 40 and 3 more.