114 bars of 4/4 at 135 BPM, about 3:23 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-35, 41-45 and 61-63, and 5 more places -- 33% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 17 times: bars 8, 24, 28, 36, 40, 52 and 11 more.
4 more fills are written out on the fills page.
114 bars across 16 sections: 49 keep time, 17 are fills, 28 are stops and 5 are silent. The longest unbroken stretch of time is bars 12-19.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
114 bars, about 3:23 at the written tempo. The course breaks it into 48 exercises over 13 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 8, 24, 28, 36, 40, 52 and 11 more.