112 bars of 4/4 at 120 BPM, about 3:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 25-39, 41-48 and 90-97 -- 27% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 11 times: bars 23, 24, 76, 78, 79, 80 and 5 more.
2 more fills are written out on the fills page.
118 bars across 9 sections: 66 keep time, 11 are fills, 34 are stops and 3 are silent. The longest unbroken stretch of time is bars 1-17.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
112 bars, about 3:36 at the written tempo. The course breaks it into 31 exercises over 7 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 23, 24, 76, 78, 79, 80 and 5 more.