112 bars of 8/4 -- not four -- at 147 BPM, 6:04 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-20 and 38-44 -- 32.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 3 times: bars 29, 31 and 45.
112 bars across 8 sections: 20 keep time, 3 are fills, 2 are stops and 81 are silent. The longest unbroken stretch of time is bars 39-44.
147 BPM, in 8/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
112 bars, about 6:04 at the written tempo. The course breaks it into 18 exercises over 7 sittings, about 21 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 29, 31 and 45.