125 bars of 4/4 at 125 BPM, about 3:45 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-8, 10-12 and 18-19, and 5 more places -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 24 times: bars 13, 14, 15, 16, 17, 20 and 18 more.
11 more fills are written out on the fills page.
125 bars across 15 sections: 56 keep time, 24 are fills, 23 are stops and 7 are silent. The longest unbroken stretch of time is bars 107-113.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
125 bars, about 3:45 at the written tempo. The course breaks it into 53 exercises over 20 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 24 times: bars 13, 14, 15, 16, 17, 20 and 18 more.