81 bars of 4/4 at 145 BPM, about 2:13 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-3, 5 and 34-36 -- 8.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 49 times: bars 2, 4, 6, 7, 8, 9 and 43 more.
12 more fills are written out on the fills page.
81 bars across 9 sections: 24 keep time, 49 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 19-24.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 72 out of 100; the rest of the number is everything around it.
81 bars, about 2:13 at the written tempo. The course breaks it into 39 exercises over 13 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 49 times: bars 2, 4, 6, 7, 8, 9 and 43 more.