58 bars of 4/4 at 125 BPM, about 1:51 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-2, 5-6 and 31, and 5 more places -- 24.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 20 times: bars 10, 12, 15, 17, 19, 21 and 14 more.
5 more fills are written out on the fills page.
58 bars across 4 sections: 32 keep time, 20 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-9.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 54 out of 100; the rest of the number is everything around it.
58 bars, about 1:51 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 20 times: bars 10, 12, 15, 17, 19, 21 and 14 more.