93 bars of 4/4 at 120 BPM, about 3:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 20-27, 47-54 and 63-66, and 2 more places -- 34.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 6 times: bars 19, 31, 46, 58, 82 and 86.
93 bars across 13 sections: 69 keep time, 6 are fills, 4 are stops and 5 are silent. The longest unbroken stretch of time is bars 10-18.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 17 out of 100; the rest of the number is everything around it.
93 bars, about 3:05 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 19, 31, 46, 58, 82 and 86.