161 bars of 6/4 -- not four -- at 120 BPM, 7:59 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-4, 6-7 and 10-12, and 3 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 6 times: bars 25, 37, 62, 66, 95 and 108.
1 more fill is written out on the fills page.
161 bars across 13 sections: 86 keep time, 6 are fills, 3 are stops and 54 are silent. The longest unbroken stretch of time is bars 1-24.
120 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
161 bars, about 7:59 at the written tempo. The course breaks it into 37 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 25, 37, 62, 66, 95 and 108.