113 bars of 4/4 at 124 BPM, about 3:39 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-23, 25-32 and 57-63, and 1 more place -- 31.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 8 times: bars 48, 80, 82, 84, 86, 92 and 2 more.
113 bars across 11 sections: 74 keep time, 8 are fills, 1 is a stop and 18 are silent. The longest unbroken stretch of time is bars 17-32.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
113 bars, about 3:39 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 48, 80, 82, 84, 86, 92 and 2 more.