159 bars of 4/4 at 149 BPM, about 4:16 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 7-8, 10-11 and 13-16, and 14 more places -- 23.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 15 times: bars 22, 38, 50, 58, 73, 74 and 9 more.
6 more fills are written out on the fills page.
159 bars across 9 sections: 116 keep time, 15 are fills, 12 are stops and 9 are silent. The longest unbroken stretch of time is bars 7-21.
149 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
159 bars, about 4:16 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 15 times: bars 22, 38, 50, 58, 73, 74 and 9 more.