The beat the song is built on is one bar, played through bars 1-4, 6-7 and 57-58, and 43 more places -- 34.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
It is played on crash and kick, counted in sixteenth notes. On its own it scores 21 out of 100 -- straightforward -- and the thing that decides that is the independence between the hands and the feet.
The whole song is 42 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 188 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 188, 219 and 250 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on crash and kick, in 4/4 at 250 BPM, counted in sixteenth notes. It is written out above, and it covers 34.1% of the bars the kit plays.
Bars 1-4, 6-7, 57-58 and 60, and 42 more places. The time is kept on the kick and crashes to start with, and it changes 20 times over the song.
21 out of 100 on its own -- straightforward. The song as a whole is 42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.