243 bars at 250 BPM -- fast, and 3:54 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 1-8, snare through bars 9-10, hi-hat through bars 11-38, snare through bars 39-46, hi-hat through bars 47-54 and snare through bars 55-56, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 1-4, 6-7 and 57-58, and 43 more places -- 34.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
58
1e+a2e+a3e+a4e+a
CC |x-------x-------|
BD |x-----x-----x---|12 fills to learn, played 36 times: bars 5, 8, 9, 25, 33, 41 and 30 more.
It cuts the song into 52 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
250 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 21 out of 100; the rest of the number is everything around it.
243 bars, about 3:54 at the written tempo. The course breaks it into 52 exercises over 12 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 36 times: bars 5, 8, 9, 25, 33, 41 and 30 more.