144 bars of 3/4 -- not four -- at 146 BPM, 4:07 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 58, 60 and 62, and 8 more places -- 8.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 69 times: bars 1, 2, 3, 4, 5, 6 and 63 more.
18 more fills are written out on the fills page.
144 bars across 12 sections: 28 keep time, 69 are fills, 22 are stops and 21 are silent. The longest unbroken stretch of time is bars 90-95.
146 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
144 bars, about 4:07 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 69 times: bars 1, 2, 3, 4, 5, 6 and 63 more.