105 bars of 4/4 at 130 BPM, about 3:14 of playing, on crash, ride, snare and kick.
The beat the song is built on is one bar, played through bars 6-8, 10 and 12, and 27 more places -- 32.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 4 times: bars 56, 76, 92 and 104.
105 bars across 12 sections: 84 keep time, 4 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 26-50.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
105 bars, about 3:14 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 25 minutes each.
crash, ride, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 4 times: bars 56, 76, 92 and 104.