153 bars of 4/4 at 145 BPM, about 4:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45-47, 57 and 61-63, and 9 more places -- 17.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 33 times: bars 24, 32, 40, 48, 56, 58 and 27 more.
9 more fills are written out on the fills page.
153 bars across 12 sections: 85 keep time, 33 are fills, 8 are stops and 16 are silent. The longest unbroken stretch of time is bars 123-135.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
153 bars, about 4:13 at the written tempo. The course breaks it into 44 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 33 times: bars 24, 32, 40, 48, 56, 58 and 27 more.