67 bars of 4/4 at 131 BPM, about 2:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 20, and 2 more places -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 15 times: bars 1, 25, 27, 29, 35, 37 and 9 more.
4 more fills are written out on the fills page.
67 bars across 8 sections: 42 keep time, 15 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 14-22.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
67 bars, about 2:02 at the written tempo. The course breaks it into 32 exercises over 12 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 1, 25, 27, 29, 35, 37 and 9 more.