200 bars of 4/4 at 113 BPM, about 7:05 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 3 and 33, and 21 more places -- 12% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 40 times: bars 24, 32, 40, 48, 51, 52 and 34 more.
17 more fills are written out on the fills page.
200 bars across 27 sections: 115 keep time, 40 are fills and 15 are stops. The longest unbroken stretch of time is bars 41-47.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 19 out of 100; the rest of the number is everything around it.
200 bars, about 7:05 at the written tempo. The course breaks it into 71 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 40 times: bars 24, 32, 40, 48, 51, 52 and 34 more.