159 bars of 6/4 -- not four -- at 134 BPM, 5:30 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 60-67, 113 and 115-120 -- 11% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 35 times: bars 12, 13, 14, 15, 16, 24 and 29 more.
11 more fills are written out on the fills page.
159 bars across 18 sections: 78 keep time, 35 are fills, 1 is a stop and 23 are silent. The longest unbroken stretch of time is bars 5-11.
134 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
159 bars, about 5:30 at the written tempo. The course breaks it into 64 exercises over 22 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 35 times: bars 12, 13, 14, 15, 16, 24 and 29 more.