150 bars of 4/4 at 125 BPM, about 4:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 40-42, 44 and 48-49, and 5 more places -- 8.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 39 times: bars 3, 5, 7, 11, 18, 19 and 33 more.
15 more fills are written out on the fills page.
151 bars across 14 sections: 77 keep time, 39 are fills, 21 are stops and 2 are silent. The longest unbroken stretch of time is bars 92-102.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
82 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 46 out of 100; the rest of the number is everything around it.
150 bars, about 4:46 at the written tempo. The course breaks it into 63 exercises over 23 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 39 times: bars 3, 5, 7, 11, 18, 19 and 33 more.