The beat the song is built on is a 2-bar phrase, played through bars 9-14, 17-22 and 25-30, and 4 more places -- 40.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
It is played on crash, hi-hat, snare and kick, counted in sixteenth notes. On its own it scores 46 out of 100 -- a step up -- and the thing that decides that is how many notes a second it asks for.
The whole song is 61 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 111 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 111, 130 and 148 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on crash, hi-hat, snare and kick, in 4/4 at 148 BPM, counted in sixteenth notes. It is written out above, and it covers 40.2% of the bars the kit plays.
Bars 9-14, 17-22, 25-30 and 33-39, and 3 more places. The time is kept on the silence to start with, and it changes 6 times over the song.
46 out of 100 on its own -- a step up. The song as a whole is 61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.