138 bars of 4/4 at 132 BPM, about 4:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14-16, 18-20 and 22-24, and 3 more places -- 11.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 50 times: bars 6, 7, 9, 13, 21, 29 and 44 more.
16 more fills are written out on the fills page.
138 bars across 14 sections: 64 keep time, 50 are fills, 10 are stops and 4 are silent. The longest unbroken stretch of time is bars 22-28.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
138 bars, about 4:11 at the written tempo. The course breaks it into 52 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 50 times: bars 6, 7, 9, 13, 21, 29 and 44 more.